Box Office: Backlash by Juan Vera

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“The Unexpected Love (or the least likely love, adapted to Flashback by French distributors) is a film that is likely too little ambitious in its subject โ€“ the fading love in a couple in their fifties and the temptation of a new life โ€“ as well as its smooth, unassuming direction that doesn’t assert itself clearly as either a true comedy or, conversely, a psychological dissection of love, ร  la Bergman or Woody Allen.

Juan Vera indeed makes the surprising choice of not choosing: between a moral comedy that shamelessly winks at its 40-50-year-old audience, who will easily recognize themselves in these harmless clichรฉs about the wear and tear of a relationship and the futility of seduction in the era of Tinder, and a cold analysis of modern disarray in an increasingly incomprehensible world.

Moreover, it is surprising to see how the screenplay ventures into a real labyrinth of subplots, situations that it often simply abandons without resolution in the course of very convenient time lapses: it’s as if Vera were afraid to delve into the true depths of his subject, where something genuinely gripping, even disturbing, could occurโ€ฆ

For, of course, Ricardo Darรญn is, as always, enchanting, at once a biting caricature of the typical male of his generation and a human being quivering with truth, an actor combining a powerful singularity with perfect accuracy of interpretation.

With him, we will delight in a happy ending all the more fragile as it was programmatically announced by the title: with him, we can truly believe in this prettyโ€“ and light โ€“ final declaration of non-love, a disenchanted but not so sad acknowledgment of the twists and turns that life takes.”

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