The 7th edition of Cinélama brought together more than two thousand people over the first weekend, with the presence of numerous directors such as Narjiss Nejjar (the festival’s patroness), Namir Messeeh, Sonia Chamkhi, Jilani Saadi, Nada Mezni Hafaiedh, and Yuan Wang.
The audience attended many debates with each of the directors. They showed a definite closeness with the spectators, in a warm and very welcoming atmosphere.
The highlight of the weekend was the film by Narjiss Nejjar, L’amante du Rif, which met with great success thanks to its powerful screenplay and remarkable image quality.
The other films presented were also warmly received, accompanied by interactions between spectators and directors that gave way to emotions, laughter, and complicity.
Many subjects were discussed over this weekend, such as the current situation in North African countries, particularly in Tunisia, and also the situation of women with The Women of Cairo 678 by Mohamed Diab, Militants by Sonia Chamkhi, as well as other lighter and humorous films like On the Bride’s Side by Namir Messeeh and Winou Baba by Jilani Saadi.
These early days were thus rich in discoveries and emotions through Mediterranean cinema that never ceases to surprise us.
The festival continues to showcase its films this week with school screenings to allow younger audiences to discover a different culture and a wonderful journey from Egypt to Paris through the film Zarafa. White Elephant and Annalisa will resonate with teenagers with more realistic stories.
Throughout this week, other films will be presented to the public, such as Looking for the Boy, After the Battle, The Arab Phone, and Taboo.
The weekend promises to be lively with many directors present for the occasion, including Mohamed Nadif, Sinia Dragin, Merzak Allouache, and others unveiling their masterpieces and allowing spectators to partake in discussions around the films.
The closing ceremony will remain the highlight of the festival, with the announcement of the films most appreciated by the audience, and the screening of the film Caesar Must Die by Vittorio Tavani, in the presence of Fabio Cavalli, the director from the Rome prison who inspired the film and co-writer.
by Romane Poquet
