The Seagulls Awarded to the Best Films of 2019

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The Cinรฉ-Cafรฉ association has released its traditional ranking of films presented to the public in 2019.


1 โ€“ PAIN AND GLORY by Pedro Almodรณvar

When will they stop shying away from Almodรณvar’s creations!? Come on! A First Gull (pending better recognition) for this new flamboyant opus where image and light serve as a sumptuous setting for illustrating the most unsettling emotions, the most secret wounds, the deepest feelingsโ€ฆ

2 โ€“ PORTRAIT OF A LADY ON FIRE by Cรฉline Sciamma

A dazzling film about the gazeโ€”artists looking at their model, an era’s view of women, characters observing each other, fearing each other, discovering each otherโ€ฆ And finally, the gaze of a filmmaker who pursues, through imagery and its resonances in the subconscious, an obstinate quest for the very essence of the seventh art.

3 โ€“ PARASITE by Bong Joon-ho

An actual cinematic bomb whose shockwave has shaken the film world. How a film so focused on interiors, both a family drama and a fierce satire, exposes through its masterful sequences all the violence nestled within modern societies. Is Asian cinema our future???

4 โ€“ AN OFFICER AND A SPY by Roman Polanski

The best film ever made about the Dreyfus Affair, the most expansive and demanding, with an exceptional cast! A potential source of healthy civic debates on the presentโ€™s antisemitic relapses, the insolent triumph of fake news, the failure of institutions, the links between History and Cinema. List non-exhaustiveโ€ฆ

5 โ€“ LES MISร‰RABLES by Ladj Ly

A direct and courageous dive into city life, where everyone has their reasons to act as they do; at the risk of explosionโ€ฆ A masterful suspension of situations and feelings like a call to talk beyond the postures and impostures of the distressing social confrontationโ€ฆ

6 โ€“ GREEN BOOK by Peter Farrelly

Set in the heart of the 1960s, a road movie through the segregationist American South, amid lingering stench of state racism and burgeoning civil rights demandsโ€ฆ A very beautiful film, academic but endearing, and one that wins over audiences. Calm down, President Spike LEE!

7 โ€“ ONCE UPON A TIMEโ€ฆ IN HOLLYWOOD by Quentin Tarantino

Arguably, his most successful film, where he delivers more than just a cascade of cinematic references; here, a true piece of himself, his nostalgias, his anger, his impulsesโ€ฆ And what a sublime idea to save Sharon Tate’s life! The graying hippies shout โ€œthank you, Quentin,โ€ and the cinephiles tooโ€ฆ

8 โ€“ THE TRAITOR by Marco Bellocchio

Fugitive godfathers, assassinated judges, protected informants, collective trials: Marco Bellocchio seizes historical facts to push the boundaries of mafia films and leave his definitive mark on the history of the genreโ€ฆ In his striking and understated manner. Bravo, the Elder!

Best Actor: DAMIEN BONNARD (In the Name of the Land, Les Misรฉrables, Only the Animals)

A face with rugged features, an uncanny earthy presence modulated with unexpected vibrations of sensitivity. He is our male revelation of the year!

Best Actress: NOร‰MIE MERLANT (Paper Flags, Curiosa, Portrait of a Lady on Fire)

A devotee of audacious film projects, she invests complex roles with deep resonance with a mix of cold authority and generosity. We want more!

Best Director: AGNรˆS VARDA: โ€œI never sought to succeed. I just wanted to make films.โ€ Her entire life and body of work overflow with jovial curiosity for beings and things, for human adventure and l

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