Today in theaters, “Superman Returns,” the new film adaptation of an American comic book by Bryan Singer (X-men). Still as handsome, still as strong, the superhero in tight-fitting costume, exiled for 5 years on his planet, returns to his adopted Earth. He performs feat after feat to save the new continent and its inhabitants, resumes his civilian life as reporter Clark Kent in Metropolis, and finds his beloved Lois Lane now married with a child. Superman is back, and a central question arises in the film: why would the United States still need Superman?
A major disaster threatens the United States. An impossible love story. A great “villain,” a great “hero.” A “happy ending.” An ever-impossible love story. The announcement of a sequel. Does this sound familiar? The American commercial formula is served up once again, and as a result, the film is far from a masterpiece of the genre. Additionally, the humor relies on repetitive gags, the monotonous portrayal of Superman by the young Brandon Routh, and resolutions as predictable as a “Tom and Jerry” fall…over more than 2.5 hours…it’s long. However, “Superman Returns” remains true to the spirit of the comic book and can satisfy fans of the genre with a plethora of special effects, which will primarily keep newcomers awake. Until now, Superman might as well have stayed on his planet.
The American Myth

Lex Luthor, the villain, well played by Kevin Spacey and on whom the entire film rests, is obsessed with the (yet another) myth of Prometheus: a god rejected by his own for giving fire to men. A legend more akin to the history currently being written by the United States…

