The happy hour tales are back at the Paillon for evenings of theater full of twists and turns

The saga “Marivaux: The Village Heir” opened the 2026 edition of “Aperitif Tales” last night. Embodied by the actors of the National Theatre of Nice troupe, this comedy revisits a classic text, blending culture, modernity and humor.

“On a beautiful sunny afternoon (…), the village heir returns home. Rolling in money.” In a seaside setting, the actors of the National Theatre of Nice troupe present a comedy by Marivaux, directed by Laurent Prévot. This one-act comedy tells with absurdity and humor the effects of money, even on the most honest of men.

For this 2026 edition, “Aperitif Tales” animate the TNN Kiosk in the heart of the Paillon Promenade, at 7 p.m., from Monday July 6 through Saturday July 26.

This evening break provides free access to classic texts in the open air.

A moment of conviviality

This event has become a true summer ritual for Nice residents. “I already came last summer and it was very pleasant,” admits Dominique, a retiree from the Côte d’Azur.

All seats are taken and the most curious cannot help but stop to watch the play. “I advise you to arrive early to get a seat, because there are a lot of people,” confides Noëllie, a theater enthusiast.

Revisited by Laurent Prévot, this comedy has won the hearts of all generations. Laughter echoes and smiles adorn faces. “I laughed a lot and I loved the references to Nice,” exclaims Mathilde, a young Nice resident.

This event is also an opportunity to discover new references. “I knew the author Marivaux, but not this play, it’s a pleasant surprise,” reveals Dominique. The National Theatre of Nice makes it a point of honor to make theater more attractive.

A satire on the ravages of money

The new episode of the “Marivaux Saga: The Village Heir” is presented with modernity and humor. Under a pastel-colored set, beach cabins and parasols dot the stage. Characters with the appearance of wax dolls capture the smiles of spectators.

Each act is accompanied by quirky musical atmosphere. “The show has been updated to modern times, it has become timeless and local,” explains Noëllie.

In this first installment, a peasant suddenly becomes rich and can now busy himself imitating the codes of the powerful. This play reminds us of money’s influence on social interactions. Blaise instantly becomes the object of everyone’s desires.

Dating from 1729, this is a parody of those who attempt to play a character they are not and for which they were not born. Money would grant abilities to those who possess it and deprive those who lack it of their quality.

This play teaches resilience. Victim of a scam, Blaise finds himself ruined but the scene is performed with derision, in the form of a song. Illusions crumble but the characters do not dwell on their loss and dance.