The prefecture rewards the winners of the Resistance and Deportation competition.

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Yesterday, at the Prefectural Palace of Nice, the award ceremony for the departmental winners of the Resistance and Deportation competition took place. A ceremony marked by remembrance and memory.


Bright-eyed, red-cheeked, and wide smiles paraded before the well-filled audience in the festive hall of the Prefectural Palace of Nice. Teachers, school heads, students, parents, and a few elected officials had made the trip, not without dressing in their best.

During a ceremony presided over by Adolphe Colrat, prefect of the Alpes-Maritimes, ninety students (middle and high school) received a total of forty-five prizes. Six first prizes were awarded by the prefect (compared to four last year), as well as the second, third, and fourth prizes and the originality prizes. The awarded works were divided into two categories: individual works and collective works.

An establishment prize was also awarded to the one that brought the most winners. The CIV of Valbonne won the high school prize with twelve awarded students.

Michel-Jean Flocโ€™h, representing the rector of the Academy of Nice, wanted to remind that โ€œall participating students receive a prizeโ€. He then highlighted โ€œthe quality of the proposed worksโ€.

In the absence of Solange Rodrigues, the president of the jury of the Resistance and Deportation Competition, prefect Adolphe Colrat congratulated all participants and stated that โ€œhis last conversation with the German consul in Marseille was so warm that he wondered how France and Germany could have gone to warโ€. According to him, โ€œreconciliation does not mean forgettingโ€.

The subject of this year’s competition was: โ€œResisting through arts and literature in prison and campsโ€. The prizes awarded consisted of several books on Resistance and Deportation, a medal, a pin, a diploma, as well as a pamphlet.

Sara Balden, winner of the first high school collective prize as well as a third individual prize, had difficulty concealing her pride by mentioning โ€œthe extensive research on the Internet, in books, and quite a few sleepless nightsโ€ to complete the collective dissertation in time. On an individual level, the student presented an essay โ€œin the form of a reflection on the role of art in resistanceโ€, not forgetting to draw a parallel with recent events, such as Charlie Hebdo or the November 13 attacks.

Florent Corniquel and Lorenzo Pugliese also shared their work experience: โ€œWe completed the dissertation in a week, but we did it thoroughly; we are very proud.โ€ The two teenagers then shared a funny anecdote: โ€œWe started as six and three backed out at the start of the project. When they saw how fast we were moving, they wanted to rejoin the groupโ€.

As for the master of ceremony, Jean-Louis Panicacci, vice-president of the competition jury and a World War II specialist, he explained the addition of a new category: โ€œThis is the first year that an audiovisual prize is awarded. Students make short films where they stage themselves, add period videos, and even maps. We then watch the films in advance, and the committee selects the winners togetherโ€.

Jean-Louis Panicacci then congratulated a student who built and presented a radio set from that era, in which a projector and a music box playing โ€œLe chant des partisansโ€ were also constructed, adding that โ€œthis reconstruction is a remarkable extension of a traditional workโ€. Moreover, the middle school student was awarded an originality prize.

The best works will be forwarded to the national jury and studied during the summer. The national ranking will be unveiled in October, and the national award ceremony will take place in Paris in December.

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